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Aug 14

Train, take my pain away…..

Posted on Friday, August 14, 2009 in MP3, Music by Ah Fong

rockinmix1

In a heart breaking work of staggering originality we present our first rockin’ mix: Trains.

Carefully compiled by our resident 50’s throwback , there are some real gems in amongst the ‘names’. Check out the impish Iberians ‘Los Sirex’ and the fantastically named ‘Bob Ayers & the Secret Agent Men’

Click the pic!

Midnight Special Train Big Joe Turner
Mail Train Billy Joe Tucker
Denver Bob Ayers & The Secret Agent Men
Big Train Bobby Wayne
Watchin the 7.10 Roll By Buck Griffin
Got to Get to Memphis Buddy Aldo
Ghost Train Electro-tones
Mystery Train Elvis Presley
Train to Satanville Gin Gillette
Long Black Train Harold Jenkins
Railroad Drag Jaguars
Hey, Porter Johnny Cash
Come On Train Lloyd George
El Tren de la Costa Los Sirex
This Train OC Holt
Mean ol’ Train Papa Lightfoot
Fast Freight Ritchie Valens
Hot Wire ( Fast Freight to LA) The Crew
Hobo Hop Tommy Nelson
Bye Bye Baby (Movin Down The Line) Wally
Aug 11

50,000 watts out of mexico……

Posted on Tuesday, August 11, 2009 in Music, Video by Ah Fong

First time i heard the song ‘Border Radio’ it was the Dave Alvin solo version, on a rough trade compilation. The green one. The liner notes for this comp are entertaining and informative, so from there i ended up seeking out the film as well as the blasters original.
Now the eggheads at the criterion collection will give you the blah blah shizzle on this; alison anders first film blah blah, UCLA blah blah, gritty b&w blah blah, post punk end of days blah blah.
We’ll just give you the trailer for this cool film featuring John Doe, Chris D and Dave Alvin among others. And a wee bit o Dave too!
Discover Simple, Private Sharing at Drop.io

Discover Simple, Private Sharing at Drop.io

Aug 7

Out the window cars roll over, the undone streets so quickly…

Posted on Friday, August 7, 2009 in Music by Ah Fong

I should hate James Apollo. He’s younger than me, is effortlessly debonair and my girlfriend has the hots for him. But damnit Mabel, this guy is just too good to allow my petty jealousy get in the way.

Born in Libertyville, Arkansas Apollo fled the coop at 16 and has been riding the range ever since. A 49er with no mine, Apollo writes of heartbreak, loss and desolation and couches his words in vaudeville velvet. He takes aesthetics seriously, does James and his records have a fine hand crafted feel to them, which is also transferred to his live show. I first saw him play at the Ryman auditorium of Europe: Darvel Town Hall. As he took to the stage I was aware that something different and unique was afoot. Not only did Apollo and his band look different, like a prom group dragged through a hedge backwards, but they sounded different. (So different I don’t have a cheap and dirty analogy) It was very dramatic, even cinematic with Apollo switching between a normal mic and a retro style one full of feedback. He dipped, bobbed, weaved and stamped his way through the then current album ‘Good Grief’ I snagged a copy of said album that night and have been hooked ever since.

Good Grief is a nightmarish tumble through the America of Steinbeck and Fante. Harking back to the Civil War with ‘The Alamo’ and ‘All the Pretty’ Apollo shows he aint your normal hack. The follow up ‘Hide Your Heart In a Hive’ built and expanded on this splintered vision, check out the video for my favourite track, ‘Bad Old Buzzard’, below. He has recently released an EP ‘Angels we have grown apart’ and will be back this way in early October

I’d like to say Glasgow has been kind to James Apollo, but other than providing some interesting road tales, Scotland’s premier city has been a lonely furrow for our hero. I detect a change in the air though, and hopefully Apollo will see a difference on his forthcoming tour.




Discover Simple, Private Sharing at Drop.io

Jul 24

Terror Has Some Strange Kinsfolk

Posted on Friday, July 24, 2009 in Music by paulk

Dr. chadbourne
Is the title of one of his numerous recordings, it has that mixture of weird biblical voodoo southern gumbo mystic that may be the only way to describe Eugene Chadbourne’s music. The good Dr. Chadbourne first came to attention as a member of Shockabilly, a New York trio that included avant- noise producer Kramer. They played a bizarre mutant mixture of folk, space rock, jazz and pre grunge thrash. Listen to their cover of Cash’s Tennessee Flat Top Box and see what a Martian’s view of country music might sound like.

Chadbourne went on to release a series of solo albums and collaborations with the likes of The Violent Femmes and Camper Van Beethoven. With a sly wit, political jabs and an obvious knowledge and love of old time American music his is an acquired taste but well worth persevering with. The official albums vary wildly, side long covers of Tim Buckley songs, nasty blues with Evan John and reworkings of old timey stuff such as of Spike Jones pisstake on the Nazis. In addition Chadbourne has produced numerous live recordings of improvisation, often accompanied by the late Jimmy Carl Black from Zappa’s Mothers.

Apart from being able to apparently whip up a fresh and topical version of Country Joe’s Fixin’ To Die to suit whichever war America is currently waging Chadbourne invented the electric rake, an amplified garden tool which he uses to terrorise lazy daytime TV chat hosts. His version of the Billy Ray Cyrus stomp that was Achy Breaky Heart” (accompanied by Evan Johns) is transformed by his unique use of the electric rake. A unique individual and a bit of a treasure.

Discover Simple, Private Sharing at Drop.io

Jul 1

Quincy and the punks

Posted on Wednesday, July 1, 2009 in Music by Ah Fong

Wasn’t Quincy everyone’s favourite medical examiner?
He certainly was quite the man, noticing foul play where others didn’t, haranguing the police, arguing with his boss, solving the crime and hitting on the victim’s widow. Every episode.
In this clip Quincy gives the 911 to the scourge of society: punk rock kids. In return for trying to stop a girl being pushed into a codeine overdose, Quince feels the crowds wrath with several stock anarchic epithets aimed his way. How come they spat on Henry Rollins, but not the square in the sweater?